HOW

Using VFX and Music To Serve The Narrative


While HERE, BULLET is an emotional story of one man’s singular, seemingly internal moment of confrontation with death, the crucial elements of the cinematic storytelling are contingent on innovative, cutting-edge Visual Effects and epic Musical fidelity and prowess. To bring animated, three-dimensional life to the usually invisible foe of the bullet, and sonic power and precision to the musical score, the intricacies of filming, along with pre and post-production, require world-class filmmakers and world-class pre and post-production filmmaking tools and expertise. Those tools and expertise bring a healthy production cost along with them and that is why HERE, BULLET is asking for your help and collaboration!

BRIAN MAGARIAN - VFX Supervisor, Powerhouse VFX (Star Trek Discovery, Succession, The Flash, Supergirl)

NICO JOHNSON - VFX Editor/Producer (Beau Is Afraid, Till, Love and Death, The Flight Attendant)

SPENCER MUHLSTOCK - Director of Photography (Trunk Show, Mott & Spy, The Crowded Room, Severance)

VFX Team

KURT ERICKSON-Orchestrator

BRIAN PARKHURST-Co-Orchestrator

SYBARITE5-String Quintet

TANIA STAVREVA-Pianist

WILLIAM GARRETT, CARL BESPOLKA-Recording Engineers

SCORE & SOUNDTRACK

Recorded at PowerStation NYC April 19, 2023

Pre-Production - VFX Previsualisation Rendering, Camera Tests, Location Scouting,Talent Rehearsals

Composer Kurt Erickson and

Director Will Chase

June 2022

(San Francisco)

Partial Animatic Rendering by

VFX Producer Nico Johnson

June 2023

Director Will Chase and

Cinematographer

Spencer Muhlstock

November 2022

(Tech Scout-New York)

Production - Score and Vocal Recording, 2 Days in Studio Filming, 2 Days On Location

Sybarite5 records the score for the film in April 2023

Post-Production - VFX, Sound Design, Editing, Final Picture, Publicity

UPCOmING

•Principal Photography Begins Summer 2025 (NY)

2025

501(c)(3)