HOW
Using VFX and Music To Serve The Narrative
While HERE, BULLET is an emotional story of one man’s singular, seemingly internal moment of confrontation with death, the crucial elements of the cinematic storytelling are contingent on innovative, cutting-edge Visual Effects and epic Musical fidelity and prowess. To bring animated, three-dimensional life to the usually invisible foe of the bullet, and sonic power and precision to the musical score, the intricacies of filming, along with pre and post-production, require world-class filmmakers and world-class pre and post-production filmmaking tools and expertise. Those tools and expertise bring a healthy production cost along with them and that is why HERE, BULLET is asking for your help and collaboration!
BRIAN MAGARIAN - VFX Supervisor, Powerhouse VFX (Star Trek Discovery, Succession, The Flash, Supergirl)
NICO JOHNSON - VFX Editor/Producer (Beau Is Afraid, Till, Love and Death, The Flight Attendant)
SPENCER MUHLSTOCK - Director of Photography (Trunk Show, Mott & Spy, The Crowded Room, Severance)
VFX Team
KURT ERICKSON-Orchestrator
BRIAN PARKHURST-Co-Orchestrator
SYBARITE5-String Quintet
TANIA STAVREVA-Pianist
WILLIAM GARRETT, CARL BESPOLKA-Recording Engineers
SCORE & SOUNDTRACK
Recorded at PowerStation NYC April 19, 2023
Pre-Production - VFX Previsualisation Rendering, Camera Tests, Location Scouting,Talent Rehearsals
Composer Kurt Erickson and
Director Will Chase
June 2022
(San Francisco)
Partial Animatic Rendering by
VFX Producer Nico Johnson
June 2023
Director Will Chase and
Cinematographer
Spencer Muhlstock
November 2022
(Tech Scout-New York)
Production - Score and Vocal Recording, 2 Days in Studio Filming, 2 Days On Location
Sybarite5 records the score for the film in April 2023
Post-Production - VFX, Sound Design, Editing, Final Picture, Publicity
UPCOmING
•Principal Photography Begins Summer 2025 (NY)
2025
501(c)(3)